Rob Hall
Film Editor
RECENT WORK
2020–2026 / FLAWLESS AI
Chief of Technical Innovation
Creation of assistive AI tools DeepEditor and TrueSync, enabling visual dubbing for film and television.
Studios & Streamers
Working Closely With
Recent Releases
2022 / LIONSGATE
Fall
Prod: Christian Mercuri, James Harris, Mark Lane, Scott Mann, David Haring
Dir: Scott Mann
Cast: Grace Caroline Currey, Virginia Gardner, Mason Gooding, Jeffrey Dean Morgan
Format: Arri Alexa LF
Two best friends climb a 2,000-foot abandoned TV tower to conquer their fears – and become stranded with no way down.
Theatrically released August 2022
‘A sustained adrenaline rush’ – Rotten Tomatoes critics consensus
‘Dizzying, thrilling’ – Vanity Fair
‘Rob Hall is an incredible editor … vital for the film to fully immerse the audience’
– Scott Mann, director
2021 / 20TH CENTURY STUDIOS
The King’s Man
Prod: Matthew Vaughn, David Reid, Adam Bohling
Dir: Matthew Vaughn
Cast: Ralph Fiennes, Harris Dickinson, Gemma Arterton, Rhys Ifans, Djimon Hounsou
Prequel in the spy hero franchise, set amid World War I at the origin of the Kingsman organisation.
$126 million worldwide box office · #4 at the U.S. box office · #2 at the U.K. box office
2018 / BBC
The ABC Murders
Prod: Farah Abushwesha, Damien Timmer, Helen Ziegler
Dir: Alex Gabassi
Cast: John Malkovich, Rupert Grint
Re-imagining of Agatha Christie’s acclaimed Hercule Poirot novel.
Broadcast Christmas 2018
★★★★ – The Guardian
★★★★ – The Independent
★★★★ – The Telegraph
2018 / SIGNATURE FILMS
Final Score
Prod: Robert Jones, Mark Lane, James Harris
Dir: Scott Mann
Cast: Dave Bautista, Pierce Brosnan, Ray Stevenson
A lone hero must save a packed football stadium from a terrorist takeover.
Released in UK and US cinemas September 2018
‘an entertainingly over-the-top ride’ – Variety
‘better than it has any right to be’ – Time Out
‘a masterfully choreographed motorcycle chase’ – LA Times
‘goofy fun that delivers some strong action beats’ – Film School Rejects
Press
Bobby
‘…perfectly constructed…some superbly edited sequences…’
– The Hollywood News
Red White & Blue
‘Thanks to some very fine editing from Rob Hall, these flashing snippets of brutality are even more disturbing than a steady, gloating gaze.’
– New York Times
Red White & Blue
‘Robert Hall’s editing in the first act is phenomenal.’
– twitchfilm.net